Aaron Katz’s Dance Party USA (2006) and Quiet City (2007) established his career as one of the best young independent American directors. Quiet City abandoned a written screenplay in favor of structured improvisation, allowing his actors – Cris Lankenau andRead More
As a filmmaker, Kelly Reichardt is obviously on a roll. Following the critical successes of Old Joy (2006) and Wendy and Lucy (2008), expectations were enormously high for her latest film Meek’s Cutoff (2010), a period piece shot on 35mmRead More
Since Todd Solondz’s breakout second feature Welcome to the Dollhouse (1995) grossed nearly $4.8 million, the trajectory of his career has been decidedly downward, with each new film grossing half of the previous box office, culminating in Palindromes (2004), whichRead More
It’s not been a particularly great summer for movies, but it’s reassuring that there have been three exceptionally strong films by women directors: Nicole Holofcener’s Please Give, Lisa Cholodenko’s The Kids Are All Right, and Debra Granik’s Winter’s Bone, whichRead More
It seems an accepted truism that family secrets need to be explored, especially if it involves children tracking down biological or estranged parents. No one ever considers that there might be negative consequences – a proverbial monster lurking in theRead More
In the most recent issue of The Journal of Screenwriting (which unfortunately isn’t available online), Kathryn Millard has written a really terrific review of Paul Wells’s screenwriting book Basic Animation: Scripting. In her review, she also cites my book MeRead More
As a child I lived only a block from Marie Menken, so that might explain why I always have had a tender spot in my heart for this major pioneer of American avant-garde cinema. Marie and her husband Willard MaasRead More
