Sean Baker has to be one of the most underrated young American indie filmmakers working today. After Four Letter Words (2000), he reinvented himself with two stellar features, namely Take Out (2004), which took years to screen theatrically, and PrinceRead More
Guy (Jason Palmer) and Madeline (Desiree Garcia). Photograph by W.A.W. Parker. Damien Chazelle’s impressive debut film Guy and Madeline on a Park Bench represents an amalgam between the realist aesthetics of the New American Cinema of the late 1950s andRead More
To many critics, Harmony Korine’s last feature Mister Lonely served notice that he had finally mellowed. News that he had gotten married, had a baby, and moved back to his hometown of Nashville was supposed to be the confirmation ofRead More