Two Years at Sea

Posted on : by : jjmurphy

The 2012 Wisconsin Film Festival began last Wednesday night with London filmmaker Ben Rivers’s Two Years at Sea (2011), his majestic feature-length portrait of an eccentric recluse named Jake Williams, whom he had filmed previously in a fourteen-minute short ThisRead More

We Need to Talk about Kevin

Posted on : by : jjmurphy

Most people don’t think twice about having children. That’s not exactly the case for Eva Khatchadourian (Tilda Swinton), a career woman and travel writer who decides to have a kid, but remains ambivalent. A potential parent might wonder: what ifRead More

Best Independent Films of 2011

Posted on : by : jjmurphy

Although the overall quality of this past year’s independent films remained strong, most still had difficulty finding an audience. Of the films on my list, Martha Marcy May Marlene grossed the highest amount, at nearly $3 million; Take Shelter andRead More

Take Shelter

Posted on : by : jjmurphy

The suspense/horror genre has gained new prominence in indie cinema lately. This appears evident not only in films such as Ti West’s House of the Devil (2009) and The Innkeepers (2012), and Calvin Reeder’s Lynchian-inspired The Oregonian (2011), but alsoRead More

Jess + Moss

Posted on : by : jjmurphy

At last year’s Sundance Film Festival, the reviewer for the Hollywood Reporter wrote: “Experimental films at Sundance are not unlike the flu bugs that run rampant through the festival’s many crowded venues: They’re inevitable but to be avoided if possible”Read More

Without

Posted on : by : jjmurphy

Mark Jackson’s debut feature Without is the latest independent film to leave me excited by the work that young indie filmmakers are able to accomplish on very low budgets these days. Without tells the story of a 19-year-old young woman,Read More

The Catechism Cataclysm

Posted on : by : jjmurphy

Todd Rohal’s richly inventive debut feature The Guatemalan Handshake (2006) was overlooked by the Sundance Film Festival at the time. In retrospect, this seems like an inexcusable oversight. Lacking a distribution deal after playing at Slamdance, Rohal took a singleRead More

Terri

Posted on : by : jjmurphy

In Azazel Jacobs’s Momma’s Man, there’s a scene toward the end where the mother of the protagonist, Mikey, gets him to sit on her lap and he looks like an overgrown baby, dwarfing her in size. The image serves asRead More