I learned the news about the passing of Callie Angell the other day. It made me sad, a feeling that has stayed with me days later. I knew Callie Angell from when I lived in NYC in the ’70s. IRead More
Producer Mike S. Ryan has written a very provocative piece about indie cinema, entitled “Straight Talk,” in the latest issue of Filmmaker. He writes: “What concerns me, though, is not the slow, vague emergence of new business strategies but theRead More
Matthew Bissonnette’s Passenger Side, a Canadian indie feature that played at the Wisconsin Film Festival last week, is a road movie that stays within very narrow parameters by mapping a specific place – the city of Los Angeles and vicinityRead More
It was inevitable that if the young filmmakers associated with mumblecore couldn’t capitalize on the phenomenon at the box office someone else would. Films like The Puffy Chair (2006), Baghead (2008), and Humpday (2009) were all expected to become commercialRead More
Andrea Arnold’s disturbing second feature, Fish Tank (2009), tells the story of a disaffected fifteen-year-old girl named Mia, who’s stuck in a dead-end life. She lives with her single mom, Joanne (Kierston Wareing), who constantly parties and drinks too much,Read More
Josh Safdie’s French New Wave-inflected debut feature The Pleasure of Being Robbed (2008) centers on a sociopathic protagonist named Eléonore (Eleonore Hendricks) and played at the Directors’ Fortnight at Cannes. Eléonore robs people – purses, credit cards, cars, as wellRead More
The motorcyclist has been a figure of rebellion in American popular culture in the Post-Second World War era, as exemplified by Marlon Brando’s role in The Wild One (1953). Kenneth Anger’s Scorpio Rising (1964), a film that strongly influenced Andy Warhol,Read More
Abel Ferrara’s cult classic Bad Lieutenant (1992) might be the most wonderfully demented independent film of 1990s. The story of a New York cop, who descends into a nightmarish hell of compulsive gambling, sex, and nonstop drug abuse, Bad LieutenantRead More