Noted screenwriter/director Paul Schrader wrote a very interesting piece in the Guardian the other day in which he suggests that viewers are suffering from narrative exhaustion. He speculates that the average thirty-year-old has already watched 35,000 hours of audio-visual narratives.Read More
Jack Smith and the Destruction of Atlantis, Mary Jordan’s absorbing documentary portrait of the legendary filmmaker and performer, certainly gives a strong flavor of this underground artist, whose importance never really has been disputed within avant-garde circles, even if he’sRead More
The strand of American independent cinema known as “underground film” often used explicit or provocative sexual material to push censorship boundaries in the 1960s. Jack Smith’s Flaming Creatures and Kenneth Anger’s Scorpio Rising, for instance, became highly publicized censorship cases. IndependentRead More
Seeing Carlos Reygadas’s Silent Light (Stellet Licht) for a second time at the Wisconsin Film Festival yesterday morning only confirmed that it’s a truly great film. What surprised me, however, was how much more emotional this formal and austere filmRead More
The Wisconsin Film Festival always has had a stellar lineup of outstanding films from around the world. This year is no exception. Two of the films from the 2008 festival – José Luis Guerín’s In the City of Sylvia andRead More
This year’s Wisconsin Film Festival features its strongest-ever lineup of independent narrative features. The most notable ones include Ronnie Bronstein’s late-addition Frownland (the director will be here in person), Antonio Campos’s Afterschool – both of which I’ve written about previously andRead More
A colleague recently suggested that last year hadn’t been a very good year for independent films, but I beg to disagree – 2008 was a great year for independent films. The problem is that if you live outside one ofRead More
