After financing fell through on a scripted feature about teenage metal heads in Baltimore, entitled Metal Gods, Matthew Porterfield put together a five-page treatment based on people and locations he discovered while developing it. Shot guerrilla-style in 12 days, theRead More
[Photo by Anton Perich]Candy Darling (1944-1974) was a later Warhol superstar from the period after the Pop artist was shot by Valerie Solanas and became the producer of Paul Morrissey’s films. Born James L. Slattery, Candy appeared in Flesh (1968-69)Read More
I’ve posted my “best film” list for the past three years now in February rather than December like other critics and bloggers. The reason is simple. Because I’m based in the Midwest, I always want to be sure I’ve seenRead More
Sean Baker has to be one of the most underrated young American indie filmmakers working today. After Four Letter Words (2000), he reinvented himself with two stellar features, namely Take Out (2004), which took years to screen theatrically, and PrinceRead More
Guy (Jason Palmer) and Madeline (Desiree Garcia). Photograph by W.A.W. Parker. Damien Chazelle’s impressive debut film Guy and Madeline on a Park Bench represents an amalgam between the realist aesthetics of the New American Cinema of the late 1950s andRead More
To many critics, Harmony Korine’s last feature Mister Lonely served notice that he had finally mellowed. News that he had gotten married, had a baby, and moved back to his hometown of Nashville was supposed to be the confirmation ofRead More
Aaron Katz’s Dance Party USA (2006) and Quiet City (2007) established his career as one of the best young independent American directors. Quiet City abandoned a written screenplay in favor of structured improvisation, allowing his actors – Cris Lankenau andRead More
