The confluence of the Venice Biennale and Documenta – the two largest and most important international art exhibitions in the world – occurs only every ten years, making it possible to compare the two major simultaneously-held events. Having attended FrancescoRead More
I just returned from spending eight days at the two major art exhibitions: the Venice Biennale and Documenta in Germany. While I was away, Isthmus, the alternative weekly paper, did an article about the surcharge at the recently opened SundanceRead More
In thinking about a topic for “The Ambitious Failure Blog-a-thon” on William Speruzzi’s [This Savage Art], I felt somewhat at a loss because I prefer to write about films I really like rather than films that I consider aesthetic failures.Read More
In one of their podcasts for Four Eyed Monsters, entitled “Losers,” Susan Buice and Arin Crumley list the many reasons they consider themselves to be losers. One is that their film didn’t get into Sundance, but rather Slamdance, thus makingRead More
In terms of Andrew Bujalski, the subject of my last post, one significant change that has occurred in the meantime has been the fact that his work has become associated with a number of other regionally-based young indie filmmakers, nowRead More
Last September, Scott Tobias on the A.V. Club Blog pleaded for audiences to support the theatrical runs of Andrew Bujalski’s Mutual Appreciation (2005) and Kelly Reichardt’s Old Joy (2006). He wrote: “If you care at all about American independent films,Read More
On some level, I’m happy that a Romanian film won the Palme d’Or at the Cannes Film Festival. After all, Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days was on every critic’s list of prizewinner favorites. Looking at theRead More
Steve Ramos reports in indieWIRE this morning that Adrienne Shelly’s Waitress expanded to 510 theaters and took in an additional $4 million at the box office last week, bringing the four-week total to $6.5 million. It will expand to 605Read More