The Wisconsin Film Festival always has had a stellar lineup of outstanding films from around the world. This year is no exception. Two of the films from the 2008 festival – José Luis Guerín’s In the City of Sylvia andRead More
This year’s Wisconsin Film Festival features its strongest-ever lineup of independent narrative features. The most notable ones include Ronnie Bronstein’s late-addition Frownland (the director will be here in person), Antonio Campos’s Afterschool – both of which I’ve written about previously andRead More
Kelly Reichardt’s first feature River of Grass (1994), a regionally inflected, feminist riff on genre set in the area between Miami and the Everglades, drew critical attention within independent film circles, but received only limited theatrical distribution. It would be over tenRead More
Neil LaBute’s disturbing black comedy, In the Company of Men (1997), was easily one of the most provocative and controversial films of the 1990s. A romantic office triangle involving two white collar workers and a deaf secretary, the film endedRead More
Todd Solondz, a NYU film school grad like Jim Jarmusch and Spike Lee, signed a three-picture deal with Fox and an additional three-picture deal with Columbia following his highly successful thesis short, Schatt’s Last Shot (1985). A few years later, heRead More
It’s a sad comment on the state of indie film distribution and exhibition that most viewers have had to wait an entire year before seeing some of the films that played at last year’s Cannes Film Festival, in particular, Harmony Korine’sRead More